In his words:
“Everything was once changing, and nothing could stop it.
Optimism and rage lived side-by-side with sexual revolution, mind-expanding drugs, and music that changed the world.
Friendships promising to last without end competed for our attention with soaring racial unrest and a war tearing The us apart.
Living in California between the last weeks of President Kennedy’s White House (1963) and the Summer of Love (1967) was once like looking out the window of a spaceship and catching a glimpse of the future. That spaceship was once planet earth. We were traveling together, destination unknown.
The rules were changing. We felt it. We tried to define it and redefine ourselves to make more sense of the best and worst parts of the journey.
We were desperate and curious enough to take a look at anything. It doesn’t matter what we did, nothing would ever be the same again.”
Glazner draws on hundreds of letters from the 1960s, dozens of interviews, headline news, and personal memories to bring to life the terror of the Watts Riots, the promise of the world’s first Love-In, his own family’s struggles back East, and famous and not-so-famous people who influenced his writing and the one irrevocable, life-changing decision he had to make about the Vietnam War and his own future.
For those who missed the 1960s or were there but don’t keep in mind that them, meet one of the crucial foot soldiers of the counterculture in addition to one of the crucial innovators and young black sheep of the music industry and Hollywood through Glazner’s eyes, including Allen Ginsberg, Edie Sedgwick, Beatles’ insider Derek Taylor, underground publisher Paul Krassner, artist Paul Thek, and many others.
California 1963-1967 Spaceship Earth is an antiwar story with a happy ending and the prequel to Glazner’s first memoir Life After The us.
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